安娟英雙語詩(shī)八首
◆ 賀蘭石
“夏商周秦西東漢，
三國(guó)兩晉南北朝
隋唐五代又十國(guó)，
遼宋夏金元明清”
推前八億年
借后十億年
賀蘭石
深藏中元渤海的潮水沙灘
蘊(yùn)蓄燕山道骨神游八極之表
入海求仙賀蘭石離地而起
礁石與藍(lán)天間各自尋覓永恒的位置
留下一道道血痕血流如注
似云、似月、似流水
所有的柔軟與堅(jiān)硬
任憑潮汐素描雕塑
直通蓬萊諸仙山
聆聽鄭和七次揚(yáng)帆起航
率數(shù)千萬兵將渡海越洋
橫劍岀鞘嘯風(fēng)雷動(dòng)鞭石相助
秦始皇巡碣石
海子石，詩(shī)人角
承諾天長(zhǎng)地久的一個(gè)約定
疊起七塊賀蘭石
等候所有文人墨客歸來
古賀蘭國(guó)坦依賀蘭公主
為此亦流下感天動(dòng)地的眼淚
更有蓬萊白云深處
五百羅漢瞇眼打坐
被海子石，詩(shī)人角
朗朗的誦詩(shī)聲動(dòng)感
相逢恨晚
決意合上經(jīng)書還俗
遠(yuǎn)走天涯從此一路
只布施四書五經(jīng)
[Jiangsu] An Juanying
Eight Poems
Helan Stone
From Xia to Shang to Zhou to Qin to East and West Han,
To Three Kingdoms to two Jins to North and South Dynasty,
To Sui to Tang to Five Dynasty and to Ten Kingdoms, to Liao
To Song to Xia to Jin to Yuan to Ming and to Qing dynasties.
800 million years forward
1000 million years backward
Helan stone
Deeply hidden in the tide water and sands of Bohai Sea
Containing the unrestrained immortal spirit of Yanshan Mountain
In the sea the immortal-oriented Helan stone rises from the ground
The reefs and the blue sky in search of their respective eternal position
Leaving one after another bloody trace running with blood
Like clouds, like the moon, like running water
All softness and hardness
To be delineated or sculpted by the tide water
Reaching the Immortal Islands of Penglai
Listening to the stories of Zheng He the great voyager who has sailed for seven times
Leading millions of soldiers to cross the sea
The sword out of the sheath in the roaring wind under the help of the stone-whip
The First Emperor of Qin patrols Jieshi
Haizi Stone, and the poet’s corner
An everlasting promise and appointment has been made
Seven Helan stones have been piled up
Waiting for all the literary men to return
Helan Princess of the ancient Helan Kingdom
Has shed her earth-shaking tears
And in the depth of the white clouds of Penglai
Five hundred arhats are sitting in meditation while closing their eyes
Touched by the loud reciting voices
From Haizi Stone and the poet’s corner
Regretful not to meet earlier
Determined to close the scripture book to resume secular life
To travel to the corners of the earth
While spreading the Four Books and the Five Classics
◆ 西津古渡口
詩(shī)為證石為媒
觀音洞里苦徘徊
抽簽難解前世緣
與你今生卻無緣
斑駁古鎮(zhèn)無弦聲
白塔獨(dú)立繞夕陽
待渡亭里
等也無奈、去也無奈、留也無奈
游人匆匆不相識(shí)
笑我獨(dú)倚朱欄還在等
2020.10.23寫于江蘇鎮(zhèn)江西津古渡口
The Ancient Ferry of Xijin
Poetry as witness and stone as the matchmaker
Solitary wandering in the cave of Avalokitesvara
Drawing lots fails to solve the affinity of preexistence
But without affinity to you in this life
No piping music in the mottled ancient town
The white pagoda by itself encircles the setting sun
In the pavilion of ferry waiting
Helpless waiting, helpless going, and helpless staying
Hurried travelers as strangers
Laughing at me who is still waiting by leaning against the red balustrade
The Ancient Ferry of Xijin, Zhenjiang, Jiangsu Province, October 23, 2020
◆ 秦淮之源
乾隆期開始燃燒
這火與云的光環(huán)
所有的虔誠(chéng)
籠罩寶華山
一頭掛在飛檐上
一頭拴著秦淮河
源泉水飛作了滿天金光
如何再回來
鍍我的金剛身?
2020.10.23日江蘇句容寶華山早上8點(diǎn)正
The Source of Qinhuai River
The burning begins since Qianlong Period
The halo of fire and clouds
All piety
Envelops Baohua Mountain
One end on the overhanging eave
The other end tied to Qinhuai River
The water of the fountain flies into a skyful of golden light
How to be back
To gild me as Buddha’s warrior?
Eight O’clock, the morning of October 23, 2020, Baohua Mountain, Jurong, Jiangsu Province
◆ 武陵源游記
月光和風(fēng)認(rèn)定你我來自同一個(gè)母氏
神秘的變幻和飄逸
與萬變的嬌野浪漫合為一體
誰也無法確定云霧深處
被陽光無數(shù)次洞穿的
究竟是熊貓羊群
還是雄獅黃龍鳳凰？
和風(fēng)白云吻舔著群峰欲將成仙
遠(yuǎn)遠(yuǎn)傳來千軍萬馬的奔騰
還有駝鈴聲聲
親愛的你可聽見？
Travel Notes to Wulingyuan
The moonlight and the wind believe that you and I are from the same maternity
The mysterious change and flying and floating
Integrated into one with the ever changing wildness and romance
Nobody can confirm in the depth of clouds
Penetrated for countless times by the sunshine
Pandas or lambs
Or lions or dragons or phoenix?
In gentle breeze white clouds kiss the peaks to be immortals
The great noise of a mighty force travels from afar
And the camel bell
My dear, do you hear?
◆ 大峽谷
樹葉翠綠水珠晶瑩
掛上發(fā)際
我且還在想如何帶回你
一抹柔柔潔白的云
一掬清清微甜的水
我不知道懸崖峭壁叢林中
究竟藏有你多少經(jīng)典傳說
只想高高揚(yáng)起我的花頭巾
留下幾叚嗲嗲的吳韻小調(diào)
讓水筏上阿哥
羞恰恰的難以對(duì)唱
The Grand Canyon
Trees emerald green dewdrops glittering
Hanging on the hair
I am still thinking about how to bring you back
A stretch of soft white clouds
A handful of clear and sweet water
I do not know in the steep cliffs and forest
How many classic legends are hoarded by you
I only want to raise high my flowery kerchief
Leaving a few southern ditties
For my darling on the raft
To sing in antiphonal style
◆ 金鞭溪
秋紅春綠寧謐澄澈
明眸窺望依然不舍
我倆雙雙遠(yuǎn)去的倒影
四季靈性交替作別的衷腸
留下幾片紅葉刻字相慰
對(duì)洞天閨門青巖奇險(xiǎn)的癡醉
蘆花柳笛追隨幽幽流水訴說千年
碧潭深處霓裳飛彩
神祇也了如指掌
不斷俯瞰失態(tài)
驚醒荷葉底下的恬靜
The Creek of Golden Whip
Red autumn and green spring quiet and limpid
Bright eyes gazing lingeringly
The retreating figures of us two as a pair
Alternation of the four seasons and heartbreaking parting
Leaving a few red leaves with words of comfort
Drunken with the ragged cave-sky and boudoir door and blue rocks
Reed catkins and willow piping in pursuit of the secretly running water for thousands of years
In the depth of green pool colorful garments flying
The god of the sky and the earth knows it like the hand palm
Ceaselessly looking down while forgetting oneself
To awaken the quietude beneath lotus leaves
◆ 天門山
風(fēng)兒陣陣吹揚(yáng)三千群峰
千億年滄桑涵養(yǎng)八百流水
萬頃云海正在繁花中怒放
裸露我們癡醉的戀情
滿天素箋點(diǎn)燃天邊五色的彩霞
群峰作證，夕陽作證
懸崖邊的星月
是我無價(jià)的妝奩
從遠(yuǎn)方姍姍來遲的我
正是天門山今日要迎娶的新娘
Tianmen Mountain
A spell after another spell of wind blowing three thousand peaks
Myriads of years of vicissitudes nurture eight hundred running rivers
Thousands of hectares of cloudy sea is spreading in raging flowers
To reveal our drunken love
A skyful of letters enkindle the five-colored clouds on the sky edge
Peaks as witness, the setting sun as witness
The moon and stars by the cliff
Are my invaluable dowry
Coming late from afar
I am waiting for the bride to be married to Tianmen Mountain
◆ 將軍巖
飛過浩瀚的蒼穹
穿過重重疊疊的月光
舍下月宮的典雅清靜
只為神奇雄偉的三千奇峰
只為蔚藍(lán)深處的八百秀水
去將軍巖尋覓我的情郎
沐浴云海、晨霧、陽光
相依在百花彩霞里聽濤聲烏鳴
雙雙翩翩起舞在黃龍洞天子山……
The General Rock
Flying through the boundless vault of heaven
Through layers after layers of moonlight
The moon palace is elegant and quiet
Only for the grand and miraculous three thousands peaks
Only for the eight hundred fair waters in the depth of the blue
Go to the General Rock to find my love-boy
Bathed in the cloudy sea, morning fog, sunshine
Leaning in rosy clouds of one hundred flowers to listen to sound of waves and crows
Flying in a pair in Yellow Dragon Cave and Heavenly Mountain ...
(Translated by ZHANGH Zhizhong)
【作者簡(jiǎn)介】安娟英，愛心女詩(shī)人。筆名梁溪安靜，江蘇無錫人?！吨袊?guó)詩(shī)人》主編，《詩(shī)路》常務(wù)主編，西北大學(xué)絲綢之路國(guó)際詩(shī)歌研究中心副主任，絲綢之路國(guó)際詩(shī)人聯(lián)合會(huì)副主席，世界華語詩(shī)歌春晚副總策劃，《作家報(bào)》詩(shī)詞主編。特約記者、出版詩(shī)集、長(zhǎng)篇小說《舊日》等八部。在海內(nèi)外報(bào)刊發(fā)表詩(shī)作近千首，并多次獲獎(jiǎng)。2019年榮獲俄羅斯作家協(xié)會(huì)普希金詩(shī)歌獎(jiǎng)?wù)隆?/span>
About the author:
An Juanying is a famous poetess in contemporary China, with her pen names of Liang Xi and An Jing. As a native of Wuxi, Jiangsu Province, she is the editor-in-chief ofChinese Poets, Newspaper of Writers, executive editor-in-chief of Poetry Path, vice director of the Silk Road International Poetry Research Center of the Northwest University, vice chairman of the Silk Road International Poets Association, and general plotter of the World Chinese Poetry Spring Gala. She has published eight books including her poetry collections and a novel entitled The Old Days, and has published one thousand poems in domestic and overseas newspapers and magazines. In addition, she has won a host of prizes, such as 2019 Pushkin Poetry Prize by Russian Writers’ Association.
【譯者簡(jiǎn)介】張智中，中國(guó)當(dāng)代著名文學(xué)翻譯家、詩(shī)人、學(xué)者。現(xiàn)為南開大學(xué)外國(guó)語學(xué)院教授、博士研究生導(dǎo)師、翻譯系主任，天津師范大學(xué)跨文化與世界文學(xué)研究院兼職教授，世界漢學(xué)·文學(xué)中國(guó)研究會(huì)理事兼英文秘書長(zhǎng)，中國(guó)英漢語比較研究會(huì)典籍英譯專業(yè)委員會(huì)理事，第五屆天津市人民政府學(xué)位委員會(huì)評(píng)議組成員、專業(yè)學(xué)位教育指導(dǎo)委員會(huì)委員，國(guó)家社科基金項(xiàng)目通訊評(píng)審專家和結(jié)項(xiàng)鑒定專家，天津外國(guó)語大學(xué)中央文獻(xiàn)翻譯研究基地兼職研究員，《國(guó)際詩(shī)歌翻譯》季刊客座總編，國(guó)際詩(shī)歌翻譯研究中心副主席，《世界漢學(xué)》英文主編，《中國(guó)當(dāng)代詩(shī)歌導(dǎo)讀》編委會(huì)成員，中國(guó)當(dāng)代詩(shī)歌獎(jiǎng)評(píng)委等。
已出版編、譯、著90余部，發(fā)表學(xué)術(shù)論文100余篇，曾獲翻譯與科研多種獎(jiǎng)項(xiàng)。主持并完成國(guó)家社科基金后期資助項(xiàng)目《漢詩(shī)英譯美學(xué)研究》和天津市哲學(xué)社會(huì)科學(xué)規(guī)劃課題重點(diǎn)項(xiàng)目《漢詩(shī)英譯風(fēng)格流派研究》，目前主研國(guó)家社科基金項(xiàng)目《漢語詩(shī)歌在英語世界的譯介研究》。
About the Translator:
ZHANG Zhizhong, a famous literary translator in contemporary China, as well as a poet and scholar. Currently he is professor, doctoral supervisor, and dean of the Translation Department of Foreign Languages College, Nankai University, and he is part-time professor of Cross-Culture & World Literature Academy of Tianjin Normal University, director and English secretary-general of World Sinology·Literary China Seminar, director of the Committee of English Translation of Chinese Classics of China English-Chinese Comparative Study Seminar, member of Tianjin Municipal Government Academic Degree Committee, member of Tianjin Municipal Government Professional Degree Education Guiding Committee, expert for the approval and evaluation of projects funded by the National Social Science Foundation of China, part-time researcher at the Central Literature Translation Research Base of Tianjin Foreign Studies University, guest editor of Rendition of International Poetry Quarterly, vice chairman of International Poetry Translation and Research Centre, English editor-in-chief of World Sinology, member of the editing board of Guided Reading Series in Contemporary Chinese Poetry, and member of the Board for Contemporary Chinese Poetry Prizes.
He has published over 90 books and 100 academic papers, and he has won a hot of prizes in translation and academic research. He has finished An Aesthetic Study of English Translation of Chinese Poetry, a project funded by the National Social Science Foundation of China, and A Study of the Styles and Schools of C-E Poetry Translation, a key project funded by Tianjin Social Science Foundation. Now he is undertaking A Study of the Translation of Chinese Poetry in the English World, a project funded by the National Social Science Foundation of China.
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